Ebook Andy Warhol (Icons of America), by Arthur C. Danto
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Andy Warhol (Icons of America), by Arthur C. Danto
Ebook Andy Warhol (Icons of America), by Arthur C. Danto
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About the Author
Arthur C. Danto was Johnsonian Professor Emeritus of Philosophy at Columbia University and art critic for The Nation. He was the author of numerous books, including Unnatural Wonders: Essays from the Gap Between Art and Life, After the End of Art, and Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective.
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Product details
Series: Icons of America
Paperback: 192 pages
Publisher: Yale University Press (September 28, 2010)
Language: English
ISBN-10: 0300169086
ISBN-13: 978-0300169089
Product Dimensions:
5.2 x 0.8 x 8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#395,646 in Books (See Top 100 in Books)
Before buying this book I strongly recommend to check on YouTube Mr. Danto's interview "the Brillo Box and so forth..." and the extraordinary "Andy Warhol Documentary Part 1 & 2." then you can decide whether you want to add Mr. Danto's personal philosophical opinion on this controversial but seminal artist.
The quality is very good! Thanks you so much!
I like the accessibility of Danto's book. Without losing his reader, Danto explains the art movements before and after Warhol, giving the reader the ability to focus on how Warhol became the icon he is today. The reader is not left behind in highbrow art definitions or in-depth analysis. You begin to think about what is art and how that definition changes as the culture changes. You can focus on the Marilyn paintings, the Brillo Boxes or the Campbell Soup Cans and begin to understand how Warhol changed how we understand what is art. The book even made me think about what Warhol might have done with the Internet. Danto's basic premise is refuted by Louis Menand in the Jan 11 2010 issue of The New Yorker. Read the book, read the article and then read Warhol's Diaries. A good book always makes you want more. Danto keeps the dialogue going on in your head long after you have finished the book.
Cool book!
Like all philosophers' ponderings, this book is more about Arthur Danto than it is about Andy Warhol.
Duh! I have the pleasure of teaching of philosophy and so get to try to explain the Hegelian theses of the end of history, the end of art, and how both tuned out to be wrong and right at the same time. Nietzsche of course being the philosophical highlight of this with his Will to Power. The Power to persuade others to see your creations as having great meaning and significance and so have great power over them. Thanks to Francis Fukuyama for the exploitation of the first thesis - The End of History and for Fred Jameson and Arthur Danto for the exploitation of the second, I can emphasize that Hegel was not so wrong as he was right. This little book on an "artist" by Danto is an excellent explanation of the philosophical-psychological aspect of what makes art art with an emphasis on pop art which is perhaps the most exaggerated example of how that all works.
What has happened to Arthur C. Danto? Once Danto was amongst the greatest living aestheticians, as well as an eminent art critic for "The Nation". One could always assume that his writings would be interesting and often provocative. After this volume one can not rely on the assumption.The book is part of a series of short books from the Yale University Press, aimed at exploring American culture by exploring the lives of particular individuals. Danto quickly claims that this is not a biography of Warhol but rather a "study of what makes Warhol so fascinating as an artist from a philosophical point of view." However he then chronicles Warhol's life with generous references to other Warhol biographers. Along the way he asserts that Warhol forced philosophers to redefine art, but goes on to say that he will not discuss this since he has written elsewhere of it.There is no doubt that Andy Warhol was an important cultural icon, perhaps as much from self-marketing as from the content and form of his work. Danto identified the importance of his work at an early time. He asked and asks a useful question. Why is a Brillo box created in a factory and displayed in a supermarket not art, while a Brillo box created in an atelier and displayed in a gallery is art? The clear inference, made express elsewhere in Danto's writings, is that intentionality is somehow essential to art. Danto asserts that this was one of Warhol's breakthroughs, and unconvincingly dismisses DuChamp's ready-mades as not really making the point.The fact of the matter is that this is old ground for Danto, having been expressed more clearly and with greater detail in earlier works. I suppose that for generations that never heard of Warhol and that may be interested into a quick peek into his life and work, without too much effort (the essay is less than 150 pages of easily-grasped language and generously-sized type) the volume may be of interest. The few illustrations in the book are in black and white and of rather poor quality, but perhaps that is all that is necessary to illustrate Warhol's work. Perhaps his work is better to read about then to actually see.Those who have believed that Danto was an important guide through the philosophy of art may begin to wonder if the guide will return to providing new insights.
This was interesting book to read from the perspective of a philosopher of aesthetics, rather than just a straight forward biography of facts about the artist. This is a very intelligently written and thought provoking book. I have read many books about Andy Warhol and this was definitely one of the best!
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